Maker of clothes, recipes, natural fabric dyeing, Gardener of veg, fruit and flowers.

Maker of clothes, recipes, natural fabric dyeing, Gardener of veg, fruit and flowers.

Mordant in natural dyeing (part 1)

Recent;y I have started using natural dyes again. There is a lot written on this subject of using mordant in the natural dyeing process. I have use mordants sometimes I don’t use mordants. It all depends on the property of the natural dye that you are going to use.

I have so far used natural dyes using turmeric, coffee grounds, dahlia and onion skin on cellulose (cotton, linen). They take the dye well without any mordant. Here is a link on dyeing with onion skin and dahlia.

using and not using mordant in natural dyeing like onion

I have used ivy without any mordant and the fibres (protein or cellulose) and they don’t take on dyes too well. Ivy will need some mordant.

Here are three common mordants used in the natural dyeing process. Some mordants can be used with one and another in natural dyeing. For example, mordant a fibre with alum. Then decide if one wants to ‘sadden’ the colour then use iron during after dye bath.

The use of Alum as mordant natural dyeing

Alum is easily available anywhere not necessary just from specialist craft and dye suppliers but on eBay as well. As it is used in cooking (anti-caking agent, pickling), deodorant and as anti perspiring.

It is a relatively safe compound to use as a mordant in natural dyeing. However, when it is heated it can produce sulphuric acidic fumes which can be irritating when inhaled and corrosive. Therefore always try to use aluminium pots instead of stainless steel pots. When heated up always in a well-ventilated area like outside and use gloves when handling alum mordants. This due to the reaction of acids in sweat from hands with sulphuric acid. Personally, I don’t heat up alum crystals I just use hot tap water and let it dissolve by itself.

mordant natural dyeing pin

Alum itself, however, has not got much of a colour stay on the cellulose fabrics. I have tried using them and they just wash off as soon they go into an after dye wash with synthrapol. There is one can use alum citrate but using 50: 50 of alum (potassium aluminium sulphate) and sodium acetate.

Iron

Commonly used as an after bath in order to change the colour after dyeing. It ‘saddens’ by making turning a vibrant colour into a deeper colour a bit like going from summer to autumn colours. One can use rusty nails instead of going out to buy iron powders. Use in iron as supplements to treat low hemoglobulin levels in the body. High amounts can be toxic. So keep them out of reach especially young children.

Again it does produce sulphuric acid when mixed with water. So wear gloves and use in a well-ventilated area. Use sparingly as it can be harsh on fibres especially protein fibres. Less is more, rinsing out will do no harm to the fibres.

Tin

It is used to give the brightest colour especially on cochineal (scarlet red), bright oranges on madder and purple on logwood. The drawbacks of using tin is that it not as lightfast (resistant to fading and changing colours) as an alum. This is with the exception of cochineal. Overexposure can damage the fibre (especially protein (wool, silk, cashmere) fibres). Plus it’s not cheap to buy.

Again do take care when handling tin when heated as it’s acidic. Which can cause chemical burns when in contact with skin. Fumes can irritate and it’s corrosive.

mordant in natural dyeing

Personally, I would use the Iron and Tin mordant outdoors then rinse them. Less is more as too much of it will damage the fibres. Always clean them up after use and you don’t want any metal deposits to be still lying around. It can explode is one is using a ceramic made the pot as the metal deposits get stuck in the hairline cracks Also have dedicated utensils just for mordant. Never use them again for cooking.

Here is a link to part 2 of my blog post on other types of mordant. Thank you for stopping by.

The use of mordant




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